SPECIFICS OF POSTMODERN FAIRY TALE OF THE BRITISH TRADITION (A CASE STUDY OF R. DAHL’S AND D. O’LEARY’S NARRATIVES)
Abstract
The research focuses on the narrative characteristics of fairy tales of the British tradition (a case study of narratives by R. Dahl and D. O’Leary). Postmodernism is a transcultural phenomenon that emerged in the second half of the 1950s and has penetrated various scientific and cultural paradigms. The specificity of postmodernism includes immanence, uncertainty, irony, intertextuality, fragmentation, parody, and double coding. In this study, we focus on intertextuality and connection with mass culture as the main features of postmodern fairy tales. Additionally, such features of postmodern fairy tales as the depiction of taboo topics, the influence of the authors’ biographical data on their characters, and the intertextual connection between these authors’ fiction texts were identified. The category of intertextuality in R. Dahl’s and D. O’Leary’s fairy tales is realised through the reinterpretation of the famous fairy tales’ plots, the use of the same characters and elements in several texts, and allusions to famous characters from popular culture. The connection between the authors’ works and mass culture is evidenced by screen adaptations of their narratives and book series publications. R. Dahl depicted taboo subjects: violence, cruelty, the desire for revenge, evil intentions, dysfunctional families, etc. The issue of human cruelty toward animals is raised in postmodern animalistic fairy tales. The intertextual connections between the fairy tales of both authors are related to the fact that R. Dahl’s narrative “Fantastic Mr Fox”, according to D. O’Leary, has been his favourite childhood fiction text. He has also aspired to become a writer like R. Dahl. Postmodern fairy tales are directly related to the author’s personality, which is reflected in the characters. Roald Dahl’s experience as a military pilot can be traced in the fictional race of gremlins, his experience as an inventor – in his most famous adult character Willy Wonka. The prototypes of D. O’Leary’s characters are his cats, and real animals from the London Zoo, near where he lives.
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